Using my screenplay and story-board I had my blueprints for my short-film.
For mise-en-shot, I used my handheld light-meter to measure the incident lighting in my scenes. I also re-set the color-balance on my camera for every new scene and change of lighting. I used both natural ambient lighting and I used for the first time my 800W tungsten film lights that I purchased from Amazon for £90.
I was trying to get away without using lighting in my filming but for the modest cost I felt the benefits outweighed the expense and would help out with exposure issues and improve the quality of my work and I am supposed to be a photographer after all.
In the right hand image you can see my script blue-tacked to the wardrobe for reference, whilst out of shot.
I employed my new liquid-film-head which made positioning much easier and I used it to a small extent in panning.
I was also tempted in to investing in a slider and used it for the scene when I notice the take-away Pizza brochures.
My choices of lenses for this film were all prime-lenses. 24mm f/2.8, 50mm f/1.8, 105mm f/2.8. My reasons are that these are faster lenses offering greater flexibility for lighting conditions and a wider choice for depth-of-field. In the scene with the smoke I removed my UV filter that I use to protect the lens in order to get a good image of the smoke. I had read somewhere that UV filters can cut through fog and may spoil an atmospheric image.
All focusing was controlled using a tape-measure.
I used the 24mm lens for the establishing-shots and I used it on myself in the close-up in the last scene to make me look more foolish when I realise my idea of using a take-away pizza has backfired.
I used the 50mm lens for most of the close-ups and the smoke detector scene.
I used the 105mm lens for a POV view of the take-away brochures.
Most of the filming was made from a mounted camera to a tripod or slider except for the POV of the fridge door.
Sound was recorded seperately and I employed a shotgun mic mounted to a boom and stand for the scenes with myself and my wife. These scenes were synchronised using a clapper-board. Additional ambient sounds were recorded for the kitchen, office, smoke alarm and cooking.